It makes perfect sense to go with what feels familiar, like basic retouching or background removal. But we’ve learned from working with thousands of photographers and business owners that your photos often benefit from multiple services working together. Combining services gets you better results with less hassle, since you can handle everything in one order instead of juggling separate projects. Let’s show you how to pick the right edits for your photos.

How to identify what your photos actually need

Before you start combining services, let’s figure out what you’re actually working with—it’ll save you time and help you get better results.

Photo diagnosis checklist

Take a look at your images and ask yourself if you spot any of these:

• Background issues: Is the background distracting, the wrong color, or inconsistent across your batch? Does it look messy or unprofessional?
• Subject problems: Are there imperfections, poor lighting, or color issues with your main subject? For apparel, does it need to show fit and drape without a model?
• Technical fixes: Is anything crooked? Are shadows missing or looking unnatural? Any dust, dirt, or glare issues?
• Brand requirements: Do you need multiple product colors? Specific formats? Transparent backgrounds for marketing materials?

Common photo problems and their solutions

Here are some scenarios we see all the time:

• “My product looks flat and boring” → clipping path + shadows
• “The background is messy and distracting” → background removal + retouching
• “I need to show this product in 5 different colors” → clipping path + color change
• “The model’s hair isn’t looking right” → image masking + retouching
• “My apparel needs to show shape without the mannequin” → ghost mannequin + retouching + symmetry

Most photo challenges need two to three services working together, not just one by itself.

How Path services work better together

Here’s why thinking in combinations instead of individual services makes more sense:

• Save admin time: Upload everything you need edited in a single order and get it all back together, ready to use. No juggling multiple orders or trying to keep track of which image versions are where.
• Speed up your workflow: Everything gets delivered together in the formats you need. Your designer handles all the edits for each image, so there’s consistency across the entire batch.
• Keep all photos consistent: When the same designer handles all your edits, you get cohesive results. Colors match, shadows look natural together, and the overall style stays consistent.
• Keep costs down: We offer discounts when you bundle multiple editing services together.

You can combine pretty much any of our services together—two, three, four, or more. What matters is understanding which combinations work best for your specific type of photography.

Service combinations by photography type

Every photography project has different needs, and you might even use the same image for different purposes. Here are some proven editing combinations that work well for different situations:

Sports photographers

When you’re dealing with high-volume shoots and tight deadlines, you need services that work fast and handle the most common issues in sports photography.

Your typical service combo:

• Image masking for complex backgrounds, hair, equipment details, etc.
• Background removal for clean, professional shots and official team photos, etc.
• Photo retouching for spot removal, color correction, skin touch-ups, etc.

There may be time-critical events such as championship coverage where you need polished images fast, or you might need to update and create consistent team roster headshots across an entire squad, just like this photographer does. You can choose different services depending on what each batch of images needs, whether that’s processing 200+ action shots or creating headshots with a uniform, professional look.

We offer turnarounds from 6 hours, so you can deliver images to your clients, magazines, or publications fast.

Product and ecommerce brands and photographers

For ecommerce, consistency is everything. Your product photos need to look professional, meet marketplace (like Amazon) standards, and convert browsers into buyers.

A standard combo:

• Clipping path for clean cutouts that meet marketplace requirements or create a clean website look.
• Shadow services add depth and dimension so products don’t look flat.
• Color change shows all available product colors without reshooting every single variant.

Advanced ecommerce stack (add these for even more polished results):

• Ghost mannequin is essential for apparel brands to show fit and drape.
• Symmetry shows perfect product alignment for a premium, professional look.
• Photo retouching removes any product imperfections (like wrinkles in fabric) and enhances details.

New ecommerce brands often start with the foundation combo (clipping path + shadows + color change) and add ghost mannequin as their apparel inventory grows. Established retailers may go with the full stack approach for complete consistency across their entire product catalog.

Portrait and headshot photographers

Professional portraits and headshots need to look polished but still natural. The goal is enhancing what’s already there, not creating something fake.

Typical professional edits for portraits and headshots include:

• Background removal/clipping path gives you versatile backgrounds for different marketing uses.
• Photo retouching helps with natural beauty enhancement, color correction, and flyaway hair fixes.

Corporate headshot scenarios may include:

• Basic combo of background removal + basic retouching.
• Premium package, adding advanced retouching and multiple background options for different brand uses.

Advanced portrait combination (for high-end clients or special projects) may include:

• Image masking for complex hair or clothing details.
• Color change for different outfit variations or brand color matching.
• Multiple background options so clients can use the same headshot across different marketing materials.

Wedding and event portrait combinations may include:

• Image masking for intricate dress details and flowing fabric.
• Retouching for flawless, natural skin and perfect lighting.
• Background removal for ceremony photos that need to work in albums and marketing.

How to choose your perfect edit combination

Use this simple framework to figure out which services make sense for any project:

1. What’s your end goal? Are these photos for marketplace listings, marketing materials, portfolio work, or client galleries?
2. What’s your biggest time constraint? Do you have a tight deadline, a high volume of images, or particularly complex edits?
3. What’s your budget priority? Are you focused on cost per image, or is premium quality and time savings more important?

Consider your photo use case

Sometimes the same photo needs different sets of edits depending on how you plan to use it. For example, a product photo might need:

• For marketplace listing: clipping path + white background + basic retouching.
• For social media: same photo but with different background + enhanced colors + shadows.
• For print: higher resolution + color matching + vector conversion.

How to mix and match your edits

Use this simple approach to figuring out which services work best for your projects:

• Start simple: Pick two to three core services that address your biggest pain points.
• Test combinations: Try different combos on smaller image batches to see what works best for your workflow.
• Scale up when it makes sense: Add more services as you see results and understand how they improve your final images.

When to add each editing service

Not sure which services you actually need? Here’s a quick reference for what each one does best.

Clipping path: When you need hand-drawn, crisp clean cutouts that you can use on any background.

Background removal: When you want clean white (or any color) backgrounds for product photos.

Image masking: For intricate shots with hair, fur, or complex borders that need precise, natural-looking cutouts.

Shadow: When products look flat or unrealistic—shadows add depth and dimension, and they actually help generate more sales.

Ghost mannequin: For apparel that needs to show natural fit and drape without models or mannequins, essential for consistent ecommerce catalogs.

Color change: When you have multiple color options and need to show true-to-life colors without reshooting every single shade.

Photo retouching: When imperfections distract from your subject—this corrects flaws and makes every element shine.

Multi-clipping path: When you need to select multiple areas within images for separate editing (like changing just the shirt color but not the pants).

Vector conversion: When you need scalable graphics and logos that maintain quality at any size.

Symmetry: When product alignment matters for brand consistency and that premium, professional look that converts better.

How to place your Path order

Ready to try combining services? Here’s exactly how to do it and how it works:

Getting started

1. Sign up for your Path account
2. Top up Path credits (optional but recommended—you get bonus credits when you top up)

The ordering process

3. Click “new order” to start your project
4. Select all the services you need for this batch—you can choose as many as you want
5. Upload your images using drag and drop
6. Get instant quote and you’ll see your total cost immediately
7. Set preferences like:
   a) File format for your edited images
   b) Additional comments or instructions
   c) Upload any supporting files if needed
8. Select turnaround time (longer turnaround means cheaper pricing, or choose rush for time-sensitive projects)
9. Review and approve your quote
10. Choose payment method and submit your order

If you need 1,000+ images edited a month, we offer bulk pricing with better rates and priority support.

Ordering edits with Path couldn’t be any easier

Now that you know which combinations work for your type of photography, placing an order is straightforward. Try Path free with 2 free edits and see how much better your photos look with the right services working together.

Let us look after your image edits, so you can get back to the fun stuff. Try Path free.

Learn more

The post How to Know Which Photo Editing Services You Need appeared first on Path Edits.

In this tutorial, you’ll learn how to fix blurry sports photos—including methods you can use to sharpen and fix out-of-focus sports photography, as well as tips to ensure your next sports photos are crisp and clear.

How to fix a completely blurry sports photo

A completely blurry sports photo is when nothing in the frame is in focus. This often happens in action shots. If this happens to you, there are several filters you can use in Photoshop to sharpen the entire image.

Using the Unsharp Mask Tool

Photoshop has a filter specifically designed to sharpen images, known as the Unsharp Mask tool. A blurry image can never truly be “sharpened,” but Unsharp Mask attempts to detect the edges of your photo by looking for side-by-side pixels that are different in color. Then, the tool allows you to adjust the contrast of those pixels and create the illusion of a sharpened image.

To use this tool, open your blurry sports photo in Photoshop. Make sure you have the layer containing the image you want to sharpen selected (in a JPEG, this would be the Background layer).

Next, choose Filter > Sharpen > Unsharp Mask… from the dropdown menu at the top of the application window.

A dialog box with Unsharp Mask settings will appear. Within this window you can adjust the Unsharp Mask settings. These settings allow you to finely tune how much contrast Photoshop will apply to the pixels within your image. 

You’ll see a portion of your image displayed within the dialog box. You can use your cursor to drag until a critical portion of your sports photo appears in that image window. In the example below, we’ve positioned the cyclist’s face in the window.

Next, you’ll see three sliders: 

1. Amount: The Amount setting adjusts the increase in contrast between pixels. 
2. Radius: Radius adjusts the number of pixels along an edge that will be affected by the contrast increase. 
3. Threshold. Threshold tells Photoshop just how different those pixels must be from each other before they’re considered an “edge.”

Make sure Preview is checked so you can see how the image will change when you make adjustments within this dialog box.

Each image you adjust will have different settings for these three sliders, because no two images are identical. Play with the sliders until you figure out which combination of settings works best for your image without creating an overly contrasted result.

Once you’re happy with the final image, click OK.

So, it’s not perfect, but it is an improvement. 

Sharpen blurry sports images using High Pass Filter

Another Photoshop tool for sharpening blurry images is the High Pass Filter. In fact, you can use High Pass Filter and Unsharp Mask together to create an even sharper image.

To use the High Pass Filter, first duplicate the layer that contains the image you want to sharpen (most likely your Background layer). You can do this by clicking on the Layers panel menu (four little horizontal lines in the upper right corner of the panel) and choosing Duplicate Layer….

With the new layer selected, choose Filter > Other > High Pass… from the dropdown menu at the top of the application window.

Your image will go completely gray. You’ll only see the outlines of your edges in the image. 

In the High Pass dialog box that appears on the screen, move the Radius slider to the left to reduce detail or to the right to increase the details of the edges. Make sure “Preview” is checked so you can see the effects of moving the slider. In general, keep the radius at 7.0 Pixels or less so your end result will look natural.

Click OK.

Next, go back to your Layers Panel. Change the Blending Mode of the top layer to “Overlay.” (By default, the Blending Mode will be set to Normal.)

Your image will now appear sharper.

For an even sharper image, you could apply Unsharp Mask, and then a High Pass Filter on top of that. 

How to fix a specific area of a blurry sports photo

Sometimes, you want to capture motion blur and keep the visual effect, but you also want your subject’s face, or some other portion of the photo to be crisp. There are multiple ways to do this, including using selections, using layer masks, and using Photoshop’s Sharpen Tool.

How to use a selection and layer mask

Go back to the image you just sharpened using a High Pass Filter. Now, you’re going to remove the sharpened effects from every part of the image except the cyclist’s face—and then add additional effects to that area to create even more crispness.

Using the Marquee Tool in Photoshop’s Toolbar, draw an ellipse or a rectangle around the area of the photograph you want to remain crisp.

Next, choose Select > Modify > Feather… from the dropdown menu at the top of the application window.

In the dialog box that appears, type in a value between 100 and 250. This will give you the smoothest feather of your selection.

Now, go back into your Layers panel and choose the layer that contains your High Pass Filter. Click on the Mask icon at the bottom of the Panel. This icon looks like a black rectangle with a lighter circle inside of it.

Once you click on that icon, you’ll see a mask appear in your layer. It will look all black, except for the area of your selection, which will appear white.

You’ve now made it so the High Pass Filter will only appear on the area where you originally created your selection, or in the case of this example, on this cyclist’s face.

How to use the Sharpen Tool

You can sharpen the cyclist’s face even more by using Photoshop’s Sharpen Tool.

Select the Sharpen Tool from the Toolbar to the left of the application window. The Sharpen Tool may be sitting behind the Blur Tool or the Smudge Tool.

In your Layers panel, select your original laye—the layer that does not contain the High Pass Filter. Then, with your Sharpen Tool selected, “paint” over the areas of your image that you want to be a bit crisper. In the below example, we went over the cyclist’s eyes and mouth with the tool.

Like all tools in Photoshop, you have the option to adjust the strength and size of the Sharpen Tool in the Options Bar.

How to remove a blurry background from a sports photo

Sometimes a photographer will want a clear subject and a blurry background in a sports photo. However, there are times where a crisp background makes more sense. In these instances, it works best to remove the background altogether and replace it with a new image.

For the following examples, let’s use this image of a young woman holding a basketball.

Use AI to remove a background in Photoshop

The easiest way to remove a background is to use the “Remove Background” tool, which is part of Photoshop’s new AI tools. However, while fast, this tool isn’t always the best option, as you’ll see in a minute.

To use the tool, make sure the Contextual Task Bar is visible. By default, it is—however, if you don’t see it, make sure Contextual Task Bar is checked under the Window dropdown menu.

With the Contextual Task Bar visible beneath your image, you’ll see the option to Remove Background. Click on that option.

The result will be…okay. But not perfect. To really remove the background from an image, you’ll need to add a human touch.

Remove background using Select and Mask

Another option to quickly remove the background of your image is to use the Select and Mask feature in Photoshop. To do this, go to Select > Select and Mask… from the dropdown menu at the top of the application window.

A new window will appear. In this window, choose Select Subject. You can refine the subject by using the “Refine Hair” button and the tools on the left-hand side of the window, including the Magic Wand Tool.

Once you have your subject selected to your satisfaction, scroll to the bottom of the Properties tab at the right-hand side of the window. Change “Output to” to “Layer Mask.”

Click OK.

Back in your regular image window, you can now refine the subject more. For instance, Select and Mask didn’t do a very nice job of selecting the model’s hair, and parts of her left hand are cut off. You can fix this manually using Photoshop’s Pen Tool and Background Eraser Tool.

Refine selection using the Pen Tool

You can use the Pen Tool to refine crisp edges of your subject. 

First make sure you have the mask portion of your layer selected. Then select the Pen Tool from the Toolbar at the left-hand side of the application window and draw along the edge of your subject. Create a selection from your path, then delete or add portions of your image back in to achieve the desired edge to your subject. 

Use the Background Eraser Tool

Next, you can use the Background Eraser Tool to refine the hair of our subject. You can get to the Background Eraser Tool by clicking and holding down the Eraser Tool in the Toolbar.

It’s best to work in stages around the edge of the subject’s hair, so choose one side of the head to start on. Then, set your background color to the color of the background behind that portion of hair. Use the Background Eraser Tool to refine the edge of the hair and continue to change the background color as needed as you work around the entire head.

Once you’ve sufficiently removed the background from your subject, you can insert a new, crisp background into your image.

How to avoid taking blurry sports photos

While Photoshop offers many options to reduce motion blur, the best way to get a crisp photo is adjusting your camera and equipment settings for the scene you’re shooting. Take plenty of test shots before the event to get your setup close to perfect, based on subject speed and lighting conditions. Shooting in RAW instead of JPEG gives you more flexibility to rescue blurry or underexposed photos later. Even if you don’t have the time to spend on fixing photos, you can outsource photo editing to Path using your captured RAW images. 

Below are some simple but effective shooting tips to make sure your next sports photos are perfectly in focus.

Fast shutter speed

When you’re trying to capture a moving subject, you will need to use a fast shutter speed if you want the subject to appear clear, or “frozen.” How fast a shutter speed you need (and can use) depends on how fast the subject is moving, how much light you have to work with, and how wide or narrow the aperture of your lens is.

For subjects that are moving at high speed, such as running athletes, cyclists, or racing cars, you will need a shutter speed at least 1/1000 sec, and probably closer to 1/4000 sec. Different cameras offer different shutter speed options, and some new mirrorless options offer shutter speeds up to 1/64,000 sec.

If you want to create a blurry background with your subject still sharp, use the panning method. Reduce the shutter speed to create a blur and move the camera in the same direction as your subject when they move past you. It takes plenty of experimentation to get your settings and hand movement right, so don’t worry if you don’t get it on the first try.

Adjust light 

When you reduce your shutter speed (meaning you make it faster, such as going from 1/250 sec to 1/1000 sec), you reduce the amount of light that hits the sensor through the shutter. Therefore, in order to have a bright image, you need to compensate for the high shutter speed by raising the ISO, widening the aperture, or both. 

Taking photos with plenty of light is important to ensure that the photo comes out at the correct exposure, at the zoom level you need, without the increased film grain that can occur from high ISO values in low-light. Taking photos outdoors during the day will provide a lot of light, as will using a flash. Before you use a flash at an indoor sporting event, however, check the event’s rules for flash photography. Many sporting events don’t allow flash photography from professional photographers, unless they’re the official contracted photographer.

Reduce camera shake

Camera shake happens because even when you try to stand perfectly still, your hands naturally make tiny movements that can blur images. Using your camera’s neck strap pulled tight against your neck can add a bit of extra stability when shooting handheld. 

When you zoom in to your subject, you increase your focal length, and you need to increase your shutter speed to compensate, or else you risk your image blurring from shaking. For a still subject, your shutter speed needs to be at least the inverse of your focal length, so if you zoom in to 400mm, you will need to set your shutter speed to at least 1/400 sec to avoid camera shake. And then you will need to increase your shutter speed from there, depending on how fast your subject is moving and the available lighting conditions.

Most sports action shots are taken with hand-held cameras or with monopods. You’ll often see sports photographers with large lenses use monopods to support the weight of their kit, which still allows them to quickly move the camera around.

Many modern cameras and some lenses also have powerful shake reduction capabilities. Look for terms like ‘In-Body Image Stabilization’ (IBIS) in camera bodies or ‘Optical Stabilization’ (OS/IS/VR) in lenses. This technology can help you shoot at slower shutter speeds while still getting sharp images.

Let us fix your sports photos

While not every blurry photo can be saved, with the right tools and techniques, you can rescue many of them—and capture crisp, clear shots moving forward. 

Shooting, organizing, and editing sports photos takes a lot of time and work. Wouldn’t it be great if you could outsource the most tedious, repetitive aspects? With Path, you can! Send us all your background removal, retouching, and image masking needs—so you can get back to the creative work that really matters. 

Ready to send your photo edits our way? Get started now—and get your edits back in as little as 6 hours.

Learn more

How to fix blurry sports photos FAQs

How do you make sports pictures not blurry?

To make sports photography less blurry, use a fast shutter speed—ideally 1/1000s or faster—to freeze motion. Set your camera to continuous autofocus (AI-Servo or AF-C mode) and track your subject. Good lighting, a higher ISO if needed, and steady panning techniques also help capture sharper images.

Why are my pictures blurry in sports mode?

Sports mode usually tries to select faster shutter speeds, but it can still struggle in low light or if the autofocus isn’t keeping up with the action. Your pictures might also be blurry if the camera is focusing on the wrong spot, or if there’s not enough contrast for the autofocus to lock onto the subject properly.

How do I get my sports pictures sharp?

Use a fast shutter speed, continuous autofocus, and a wide aperture (like f/2.8 or f/4) to let in more light. Track the subject carefully, and if possible, pre-focus on an area where you expect the action to happen. Shooting in burst mode can also increase your chances of getting a tack-sharp frame.

How do you take clear sports pictures?

Clear sports images start with the right camera settings: fast shutter speed, continuous autofocus, and an appropriate ISO. Also, practice good technique—like following your subject smoothly with the camera and anticipating the action. Using higher-quality lenses with image stabilization can make a big difference too.

The post How to Fix Blurry Sports Photos: Before, During, and After the Shot appeared first on Path Edits.

The contest

The Talent Hunt was created with a few goals in mind: 

• to identify exemplary photo editing techniques an
• to recognize the editors behind the edits—we do everything by hand here, no sloppy AI shortcuts
• to foster innovation and future leaders in the industry

We let everyone get in on the fun—our in-house folks, temp workers, and even our subcontracting team—to see who can make the best, the fastest, and the most accurate photo edits. And not only that, but how the rest of our organization can learn from them. It’s just another way we’ve found to continuously innovate and push ourselves to always do better.

We had three categories for winners:

1. Speedstar Editor: the person who can edit images in the least amount of time while maintaining quality standards
2. Quality Wizard: the editor who can edit images with extraordinary quality by using different techniques outside of their traditional quality within the defined timeframe
3. Technique Mastermind: for the most creative editing techniques that still deliver quality and speed

We also had a judging panel, made of:

Creative review

• Md. Ataur Rahman, Senior Manager, Production
• MD. Shahadat Hossain, Senior Manager, Customer Support
• Md Shaharia Kabir, Assistant Manager, Audit
• Rayhanul Islam, Senior Executive, R&D
• Abdullah Al Jasim, Executive, R&D

Overall organization and coordination

• Rifat Rahmatullah, Manager, Human Resources
• Shams Al Mujahid, Senior Executive, HR and Admin

Final decision

• Md. Atiqur Rahman Molla, CEO
• Rokaiya Yesmin, COO

The winners

Seven participants competed in the Talent Hunt, with two emerging as the top contestants. These editors displayed exceptional proficiency in all types of edits. Their techniques not only streamlined editing processes but also elevated the overall quality.

Get to know the winners—some of the very people who edit your photos:

Bishojit Sarker, 1st place

• Category: Quality Wizard
• Technique: image masking and photo retouching
• Prize: mobile phone

Mohammad Ripon, 2nd place

• Category: Speedstar Editor
• Technique: raster to vector
• Prize: tablet

What’s next?

Sure, the Talent Hunt was a lot of fun! But there’s also a business goal behind it. Our top editors have innovated to bring new editing techniques and workflows to their work.

By having this Talent Hunt, we can bring our larger team of editors together, identify top talent, and learn from them. The Talent Hunt winners can share their expertise, learnings, and techniques with the rest of the Path editing team to help continue to propel the quality of our services higher and higher.

Thanks for being a part of our family

We wouldn’t be able to edit images, innovate, and give back to our people without our customers. To us, Path is more than just a photo editing studio. It’s a family. And we’re happy to have you a part of that big, extended Path family. 

The post Putting People First: Congratulations to the Path Talent Hunt Winners! appeared first on Path Edits.

In some cases, a transparent background gives you max flexibility, while other scenarios call for a bold team-branded backdrop, a dynamic stadium setting, or a clean, neutral tone. Check out some of the best background options for sports photography—including field and court settings, team logos, dramatic lighting effects, and templates—to help you create impactful images every time.

Sports photo background ideas

The “field”

Using a real sports environment helps establish context and energy in your shots. Some great location choices include:

• Stadiums: A stadium backdrop can emphasize the grandeur of the sport, making it ideal for professional headshots or team portraits. Be mindful of the composition—an empty stadium creates a different feel than one filled with fans.
• Tracks: A running track or cross-country trail provides a sense of movement and purpose. Position the athlete at a starting line for an action-driven portrait.
• Beach: Perfect for sports like beach volleyball, surfing, or running, the ocean and sand can create a lively, high-energy image. Plan your shoot during golden hour for the best lighting.
• Indoor arenas: Basketball courts, hockey rinks, or even boxing gyms provide an enclosed environment with controlled lighting. Use a wide aperture to blur out distracting elements while keeping the athlete as the focal point.
• Sports fields: Soccer fields, cricket pitches, or rugby grounds offer a natural, open space that works well for solo and group shots. If the field is in use, position your subject in an area with minimal distractions.

Gyms and locker rooms

For an intense, gritty look, gyms and locker rooms can provide a compelling backdrop. Weight rooms, benches, and training spaces add authenticity, making the athlete’s preparation a key part of the story.

Use directional lighting to highlight muscle definition and create dramatic shadows. If shooting in a locker room, frame the shot to include elements like jerseys, team logos, or open lockers for added storytelling. Pay attention to the composition. You can avoid cluttered backgrounds by positioning your subject in front of an open locker with a neatly arranged jersey and equipment, for example.

Urban settings

Cityscapes, iconic landmarks, or industrial settings can be excellent backdrops for sports photography, especially for athletes who train outdoors. This option works particularly well for individual portraits of runners, cyclists, or street athletes.

Again, be mindful of busy backgrounds—use a shallow depth of field to keep the focus on the athlete. Early morning or evening shoots often provide softer light and less foot traffic.

Smoke or lighting effects

If you want to add drama, using colored lights, LED strips, or smoke effects can create a bold, high-impact background. This is a great option for marketing shots, posters, and social media content.

Smoke and lighting effects can create a variety of looks, so the possibilities are truly endless. In the examples above, you can see how smoke and fog add dama to photos of a dirt biker, soccer players, and a football player. 

In some cases, you may shoot with the smoke, lighting, and fog on location—in others, you may add it in during the editing process. Find out how to add smoke and fog to photos in this tutorial. 

Branding

Showcasing team identity is always a smart choice. You can use the team logo or colors, or a sponsor’s logo and colors. Solid or gradient backgrounds in team colors can create a consistent, polished look.

Image source

Blur

A blurred background helps isolate the subject and remove distractions. This technique is useful when shooting in a busy location, like a crowded gym or an active playing field.

There are a few ways to get a blurred background: 

• Shoot with a shallow depth of field: Use a wide aperture (e.g., f/2.8 or lower) to blur the background while keeping the athlete sharp.
• Use motion blur: Works well for dynamic shots where slight movement is captured.
• Edit the background in post-production: If you can’t get it in-camera, you can add the blur effect during the editing process. Find out how to blur the background in this tutorial.

Neutral

A clean, neutral backdrop—like gray, white, or black—keeps the focus on the athlete. This is a solid choice for profile shots, media use, and professional headshots.

Use a softbox or ring lights to help maintain even lighting without harsh shadows. Seamless paper or collapsible fabric backdrops work best for the backdrop materials.

Transparent

For maximum flexibility, a transparent background allows you to place the subject onto any background later. This is especially useful for promotional materials, digital content, and merchandise design. You can find out how to make a transparent background with this tutorial and in the video below: 

Editing your sports photo backgrounds

Not happy with the background you’ve already got? Remove it and try a new one with Path’s background removal services.

Sports photo background FAQs

What’s the best background for a team photo?

A stadium, team-branded backdrop, or a solid color with team colors works well for team portraits.

Should I use a green screen for sports photos?

A green screen can work if you plan to replace the background, but good lighting is crucial for a clean result.

What’s the advantage of a transparent background?

The advantage of a transparent background is that it gives you flexibility to place the subject onto different backgrounds later, making it ideal for marketing materials and graphics.

The post Best Sports Photo Background Ideas for Stunning Athlete Portraits appeared first on Path Edits.

Learn what the Magic Wand Tool is and how to select and mask in Photoshop with it. This Photoshop masking tutorial will turn you into a pro in no time.

What is the Magic Wand Tool?

The Photoshop Magic Wand Tool is a quick and easy way to select and mask certain portions of an image, giving you the ability to alter one part of your image while leaving other parts intact. One of the most common uses of this tool is to swap out or remove the background of a product photo, leaving the subject of the image in place. 

The Magic Wand Tool works by selecting an area of solid color within an image. Once your selection is made, the Magic Wand Tool gives you multiple options for refining that selection. 

What is the Magic Wand Tool used for?

The Magic Wand Tool is a go-to tool when you want to display a product in various settings by showing it against different backgrounds, or when you want to remove a background altogether so your product stands on its own.

This is often the case for marketplaces like Amazon or eBay, which have product photo requirements of their own that outline the approved backgrounds your images can have.

How to select and mask in Photoshop with the Magic Wand Tool

For the following tutorial, we’ll be working with this photo of a soccer player. You’ll learn how to remove the background from the player using the Magic Wand Tool, so that you can later put the player into different scenes. The Magic Wand Tool is a great option for removing backgrounds on photos with a mostly solid background.

Step 1: Unlock the background and select the Magic Wand Tool

Before you can use the Magic Wand Tool, you’ll need to make sure your layers are set up correctly. Go to your Layers panel, located by default in the lower right-hand corner of Photoshop 2024’s application window. If you don’t see the Layers panel, you can bring it forward by choosing Window > Layers from the dropdown menu at the top of the application window.

Within the Layers panel, double click on the Layer entitled Background.

A pop-up window will appear, prompting you to rename the layer “Layer 0.” Click OK.

Within Adobe Photoshop 2024, choose the Magic Wand Tool from the Toolbar. By default, the Toolbar is placed to the left of the application window. The Magic Wand Tool may be hidden behind the Object Selection Tool or Quick Selection Tool.

Note: To select any tool that is hidden “behind” another tool, choose the tool that is in front, and then hold the mouse button until other tools are visible. Then, select the visible tool you need.

Step 2: Select the solid areas of the background using the Magic Wand Tool

There are several different ways to use the Magic Wand Tool to remove a background. We’ll start with the simplest method and work our way to more advanced methods as we refine our selection.

When you click on a portion of your image using the Magic Wand Tool, the tool selects the pixel you selected along with adjacent pixels of the same (or similar) colors. 

Once you have the Magic Wand Tool selected, you’ll see several different options in the Options Bar at the top of the screen. You can adjust the Tolerance of the Magic Wand Tool here. The higher the Tolerance, the more similarly colored pixels will be selected alongside the pixel you select with the tool.

For this example, we will keep the Tolerance at 10.

Click somewhere within the background of the image. The Magic Wand Tool will create a selection of all contiguous portions of your image that are roughly the same color as the background portion you selected.

The Magic Wand Tool did a relatively decent job, but there are some portions of the background (such as between the player’s legs and under his right arm” that are not selected.

To select areas of the background that did not get selected, hold down the SHIFT key and click within those areas that need to be selected. Holding SHIFT allows you to add to the existing selection without deselecting anything.

Step 3: Select other portions of the background and foreground

The ground in this photo is not a solid color like the background. It is, however, all varying shades of green. In order to select an area that is all about the same color but has a lot of detail, we need to adjust the Tolerance of the Magic Wand tool to a higher value. In this example, we’ve set the Tolerance to 50 and selected the grassy ground area of the photo.

The results are less than perfect, but if we were to make the Tolerance much higher, we might accidentally select portions of the player’s legs.

To smooth out the selection, choose Select > Modify > Smooth… from the dropdown menu at the top of the application window.

In the Dialog Box that appears, set the smooth value to something large enough to smooth out the edges of the selection but small enough to keep the integrity of the selection’s outline. For this example, we’ll set the value to 5.

Click OK.

The selection now looks almost close to perfect. Almost.

Step 4: Create a mask

Select the inverse of your current selection by choosing Select > Inverse from the dropdown menu or by typing SHIFT + CTRL + I (SHIFT + COMMAND + I on a Mac).

Now, your subject is selected (instead of your background).

Next, go to Select > Modify > Contract… to tighten the edges of the selection. This is to compensate for any artifacts that may have appeared in the selection when we smoothed it earlier.

In the dialog box that appears, set a Contract value to something between 1 and 4 pixels. The amount you set it to will vary depending on the image you are working with. In this example, I’ve set the value to 3.

Click OK.

In your Layers panel, look for the Mask icon at the bottom of the panel. It will look like a black rectangle with a white circle inside of it.

With Layer 0 selected, click on the Mask icon. You will now see your subject isolated against a transparent background.

We’re almost there, but there are a few things we need to fix before we’re done.

Step 5: Clean up the selection using the mask

As advanced as Photoshop 2024 is, nothing can match the human touch for perfecting a selection. In order to finalize your image, you will need to use your Brush Tool, and your judgment, to modify and perfect certain areas of your selection.

In Layer 0 of your Layers Panel, make sure you have the new layer Mask selected. When the Mask is selected, you’ll see a small, black outline around the Mask. Look closely as it’s a little hard to see.

Next, select your Brush Tool from the Toolbar to the left of the application window. In the Options Bar at the top of the application window, you can set the width and hardness of your brush.

If you have correctly selected the Mask icon in Layer 0, then the Foreground and Background colors in your Toolbar will be black and white. When white is the Foreground color, you can “paint back” portions of your masked image. When black is in the Foreground, you remove areas of your selection and they become masked.

For instance, in our example image, certain portions of the player’s sleeves disappeared when we created our initial selection. Therefore, using the Brush Tool, we can “paint back,” or add those portions of the sleeve back in.

Changing the size of the brush and switching between a white foreground and a black foreground, fix any edges of your selection that need finessing.

Other ways to select and mask in Photoshop 2024

Photoshop 2024 also offers another option for Selecting and Masking that may or may not be easier for you. Let’s start with the original image again to learn this second method.

When your Magic Wand Tool is selected, you’ll notice there are some selection options available in the Options Bar at the top of the application window. At the far right of the bar, click Select and Mask….

A new window will open showing most of the image erased. Don’t worry–the image is still there; it’s just been “masked.”

At the top of the screen, click the button that says Select Subject.

Photoshop will attempt to interpret and select the subject of your image. Though, as you can see in the image below, the results are not always perfect.

At the top of the window, you will find Add and Subtract buttons. These work to add to your selection or subtract from it using the modification tools on the left-hand side of the window. You can also control the size of the tool.

On the left side of the window are tools you can use to modify the selection. These tools are rather intuitive to use. 

The first tool, the Quick Selection Tool, allows you to grab whole blocks of color at once. This is a good tool to use to “paint back” the ball in the image.

The next tool, Refine Edge Tool, helps when defining or redefining the edge of your selection. Below that is the Brush Tool, which works just like the regular Brush Tool in Photoshop (and like the Eraser Tool when the Subtract button is activated). 

The Object Selection Tool tries to figure out where certain objects begin and end in your image, the Lasso Tools allow you to freeform select areas of the image, and the Hand Tool and Zoom Tool help you navigate around the image as you work to refine the selection.

Once you’re satisfied with the selection, click OK. You will see that nothing has changed in your original image, but there’s a “marching ants” selection around your subject.

Next, just like in the first method listed above, you’ll need to make your Background Layer into an unlocked Layer 0, and create a Layer Mask.

Whichever way you choose to create your selection, you now have your subject isolated from its background, and you can place your subject into whichever new setting works best for your branding needs.

When to use the Magic Wand Tool for your photos

Learning how to select and mask in Photoshop with the Magic Wand Tool is helpful because it’s a technique you can apply to a range of photos—sports, product, ecommerce, portraits, headshots, and more. Here are a just a few scenarios where it comes in handy:

• Show your subject in various environments. Help your audience connect with your subject emotionally by seeing it in a beautiful or familiar setting when changing the background. This can also help you prepare the image for different target segments, so you can swap out backgrounds that make more sense for your audience.
• Select your subject so you adjust its size or color without altering the setting in which it has been photographed. This means you can show different color variants for your product without having to take multiple photos.
• Remove the background from a photo so your subject stands out on its own.
• Create a white background image so you can list products on third-party marketplaces, like Amazon or eBay.

The post How to Replace or Remove an Image Background Using the Magic Wand Tool appeared first on Path Edits.

To help understand the impact of different headshot backgrounds, we chatted with two experts:

• Sarah Miller, Philadelphia-based commercial and headshot photographer
• Alycee Byrd, Greensboro-based professional photographer specializing in people

They’ll walk us through the best background choices for headshot photography in various industries and how each one can elevate a headshot.

Best backgrounds for headshots

White or light gray

Tried-and-true white backgrounds are common in headshot and portrait photography, as well as other photography niches. And there’s a good reason for it—it’s relatively easy to create a white background either in Photoshop or during the shoot, and it minimizes distractions, allowing the focus to be on the subject of the photo.

Depending on the lighting, your white background may actually appear off-white or gray, like in the example below.

Plus, these are easy to edit. “If you’re specifically talking about Photoshopping somebody into an artificial background, I have white and gray in my studio, so those are my starting points,” says Sarah.

Pros

• Clean with minimal distractions
• Easy to edit and manipulate for multiple uses
• Neutral and uniform
• Easy to replicate

Cons

• Can appear too stark or bright
• Offers little creativity
• Can blend in with white background websites and publications

Best for

• Real estate agents
• Investors
• People in the beauty industry
• LinkedIn photos
• Medical professionals

Black or dark gray or dark blue

For a more refined, sleek, and professional look, black, dark gray, or dark blue backgrounds are ideal. These darker tones create a striking contrast that immediately draws attention to the subject, giving the headshot a sense of authority and sophistication. These colors are commonly used in industries where professionalism and luxury are paramount.

Dark backgrounds give an instant luxury feel. It’s about making the subject appear strong and confident without overwhelming them with distractions. Plus, it adds a level of timelessness to the image.

These backgrounds work well in controlled lighting conditions, where you can sculpt the subject with light and shadow, giving the headshot a dramatic, three-dimensional quality.

Pros

• Gives an instant luxury feel
• Creates a powerful contrast between subject and background
• Timeless, classic aesthetic that suits professional industries
• Can help subjects with lighter skin tones or brighter clothing stand out
• Makes a strong impact without adding visual clutter

Cons

• Can be expensive to print
• Can feel too formal or intense for more casual industries
• May appear too dark on certain websites or platforms, especially if the subject’s clothing blends in
• Requires good lighting control to prevent the image from looking too flat

Best for

• Luxury industry professionals
• Travel and hospitality
• Finance and law professionals
• Executives and corporate leaders

Bold and colorful

Colored backgrounds can infuse personality into a headshot. It’s a trend Alycee is noticing. “I’m getting more requests for color backgrounds instead of white,” she says. “I can see more and more people are trying to express themselves in headshots.”

Source

Bright or pastel colors can offer a playful, creative touch while still maintaining a professional appearance.

Pros

• Adds personality and creativity
• Can help subjects stand out
• Eye-catching, especially for creative industries

Cons

• Risk of color clashing with the subject’s attire
• May not suit every industry, skin tone, or purpose
• Can limit versatility across different platforms

Best for

• Marketing and creative professionals
• Teachers
• University faculty
• Startups or entrepreneurs who want to express individuality
• Dating profiles
• LinkedIn photos

Brick

Using a brick wall, either indoors or outdoors, provides texture and a sense of authenticity to a headshot. This backdrop often feels urban, rugged, or grounded, making it ideal for certain professions.

Source

Pros

• Provides a warm, earthy feel
• Adds texture without being distracting
• Offers a grounded, authentic aesthetic

Cons

• Can appear too casual for formal industries
• Limited in color options (typically reds and browns)

Best for

• Coffee shops
• Vintage industry
• Musicians
• Artists
• Startup entrepreneurs

Natural outdoor setting

Outdoor headshots are often taken in parks, gardens, or urban landscapes, with greenery or natural elements in the background. These settings evoke calmness, openness, and authenticity, appealing to professionals who want to appear approachable and grounded.

Pros

• Creates a calm, open, and natural vibe
• Makes the subject appear approachable and down-to-earth
• Provides a unique, less structured backdrop

Cons

• Difficult to control lighting and weather
• Can appear too informal for certain industries

Best for

• Environmental professionals
• Outdoor or event photographers
• Scientists
• Musicians
• Artists
• Parks and recreation professionals
• Dating profiles

Contextual

Contextual or environmental backgrounds, such as an office, workspace, or other professional settings, lend credibility and relevance to a headshot by placing the subject in their real or perceived environment. These images make subjects appear more connected to their industry.

“The trend that I’m seeing in my community currently is solopreneurs, upstart businesses, and very small businesses are trying to look more established than they are or look like they have a higher volume or more trustworthiness even though they’re just starting out,” says Sarah. “So the most popular request I get right now is some sort of generic blue glass, a very current modern corporate shot.”

“They’re not stock photography so there’s no licensing issue because I own the copyright to the original background image,” says Sarah. “So even though they’re being photographed in my studio, which is very clean and very simple, they’re asking to be superimposed into a very sleek glass looking hallway that looks like great architecture behind them.”

Pros

• Creates a professional, “in the field” feel
• Gives context to the subject’s profession
• Customizable and can enhance a brand story

Cons

• Can be expensive to create or acquire custom backgrounds
• May look too staged or artificia

Best for

• Real estate agents
• Bar and restaurant professionals
• Entrepreneurs looking to establish credibility
• Service providers

Minimalistic pattern

Using minimalistic patterns, such as subtle geometric shapes or textures, can provide visual interest without overpowering the subject. This option gives a modern feel while keeping the focus on the person.

Pros

• Adds subtle texture and depth
• Modern and clean aesthetic
• Great for professionals looking for a fresh yet understated look

Cons

• Can be difficult to pair with certain outfits
• May not suit very formal professions

Best for

• Graphic designers
• Tech professionals
• Professionals in modern, creative industries

How to create backgrounds for headshots

“I have fun with it when I can, but I usually just use the seamless backdrop papers,” says Alycee.

You can rent, purchase, or make backgrounds for your headshots from other materials, too.

Poster board, fabric, etc.

Affordable and available in a wide variety of colors and textures, these materials can provide unique and creative backdrops. They’re especially useful for creating a DIY setup at home or for low-budget shoots.

Physical wall

Using an actual wall as a backdrop can be a great option, particularly if you’re looking for an industrial or modern feel. Brick, concrete, textured, or painted walls can add personality to the shot.

Digital files

Another growing trend is creating digital backgrounds, which can be superimposed in post-production. “Stock photography can become very expensive very quickly if you want to publish it on a national platform or even a global platform, or if you want to use it at a higher resolution,” says Sarah.

That’s why many photographers create their own digital backgrounds or shoot against a green screen to add in custom backdrops later. This method offers endless possibilities for customization without the hassle of physical backdrops.

Lighting

No matter which background you choose, lighting is key to making it work effectively. Whether you’re using natural light, studio lights, or a combination of both, proper lighting can ensure that the subject stands out and the background enhances the shot rather than detracting from it. For example, when using dark backgrounds like black or gray, rim lighting or backlighting can help prevent the subject from blending into the backdrop.

On the other hand, for brighter backgrounds, soft, diffused lighting works well to create a more flattering, even tone. It’s important to adjust the lighting to match the background’s tone and texture, ensuring that the subject remains the focal point of the image.

Edits

Post-production headshot edits also play a significant role in achieving the perfect shot. Whether you’re tweaking the brightness and contrast or swapping out backgrounds, editing can refine the final look.

With good editing skills, you can clean up the background, remove distractions, and make adjustments to better suit the client’s needs, ensuring a polished, professional final image.

Why backgrounds are important for professional headshots

A headshot is often the first introduction someone has to a professional. “The thing with headshots is you’re selling yourself,” says Alycee. “You want your headshot to make someone want to work with you.”

A well-chosen background directs attention to the subject, helping them stand out without overwhelming the image. The right background complements the subject’s attire, personality, and profession.

The background also sets the tone and mood. A clean white background may give a bright and approachable look, while a dark background can evoke sophistication and professionalism.

Plus, different industries may call for different backdrops. For example, a bright, colorful background works well for creatives and marketing professionals, while darker or neutral tones suit corporate executives or finance professionals. The background helps communicate what the individual represents.

Let’s get the perfect background for your headshot photography

The right background is more than just a backdrop—it’s a powerful tool that enhances your professional image and communicates your personal or brand identity. Whether you choose something classic like a white or gray backdrop, bold like a colorful background, or something more contextual and relevant to your profession, the background should work harmoniously with lighting, editing, and your overall presentation.

By carefully selecting the background that suits your profession and goals, you ensure that your headshot stands out and leaves a lasting impression. Let your background support your story, and let your headshot do the talking. 

Headshot backgrounds FAQs

What background is best for headshots?

The best background for a headshot depends on the industry and the message you want to convey. Neutral colors like white, light gray, and black are classic choices for professional headshots as they keep the focus on the subject and work well across various platforms. For more creative industries, bold and colorful backgrounds can add personality and stand out visually. Contextual or environmental backgrounds, such as office settings, also work well for professionals looking to incorporate more of their work environment.

How to make a headshot background?

You can create a headshot background using a variety of materials. Seamless paper backdrops are commonly used due to their versatility and easy setup. Other options include poster boards, fabric, or textured walls. Digital backgrounds can also be added during post-production with the use of green screens or Photoshop. The key is to ensure the background is neutral or relevant to the subject’s profession and doesn’t distract from the main focus of the shot.

What are the rules for headshot background?

• Keep it simple: The background should not compete with the subject for attention.
• Match the industry: Choose a background that reflects the subject’s profession.
• Ensure contrast: The background should contrast with the subject’s attire to prevent them from blending in.
• Proper lighting: The lighting should complement both the subject and the background to enhance the overall look.
• Maintain professionalism: Avoid overly busy or cluttered backgrounds unless it fits a creative or artistic purpose.

Do I need a backdrop for headshots?

While a backdrop isn’t always necessary, it can create a clean, professional look by eliminating distractions. If shooting outdoors or in an office, natural or environmental backgrounds can also work well, but a neutral backdrop is preferred in controlled studio settings for consistency and easy editing.

What is the best background for headshots?

For corporate and professional headshots, neutral backgrounds like white, gray, or black work best. These colors are versatile and ensure the subject remains the focus of the image. Creative professionals might opt for bold colors to showcase personality, while environmental or office settings provide context for certain professions like real estate or consulting.

What should be in the background of a headshot?

Ideally, nothing in the background should distract from the subject. The background should be simple, clean, and complementary to the subject. In some cases, minimal patterns, textures, or environmental elements like bookshelves in an office or outdoor scenery might be included to add context or character.

How to create a headshot background?

To create a headshot background, you can:

1. Use seamless backdrop paper in neutral colors like white, gray, or black.
2. Use fabrics, poster boards, or physical walls with interesting textures (e.g., brick or wood).
3. Set up a digital background by photographing against a green screen and adding the background during post-production.
4. Choose a location with a natural or environmental background, like an office or park, but ensure it doesn’t overwhelm the subject.
5. Adjust lighting to make sure the subject remains the focal point, regardless of the background.

The post How to Choose the Best Backgrounds for Headshots appeared first on Path Edits.

Photoshop’s Pen Tool is an excellent way to remove a product from its background or select a portion of a product image to change its color. And you can modify, store, and reuse the paths created with the Pen Tool as often as you want.

In this tutorial, we’ll be using the Pen Tool to remove the background and add a new shadow to this image of a sock. 

Why is the Pen Tool the best option for accurately creating selections in Photoshop?

Photoshop 2024 offers a ton of options for creating selections, including the lasso tools, Magic Wand tools, and its new generative AI tools. However, pen tool paths still produce the most precise selections.

As someone who has been digitally editing photographs for over 25 years, I’ve seen hundreds of technological improvements within Photoshop and other photo editing software. And I can say with confidence that nothing has ever compared to a human-generated path, and nothing ever will. A computer program will never be able to replicate the precision of human skill, especially when it comes to creating selections.

What is the Pen Tool in Photoshop?

The Pen Tool in Photoshop creates paths and shapes which can be duplicated and manipulated to create complex selections, masks and objects. Unlike the Brush Tool and Pencil Tools, which “draw” pixels onto your image, the Pen Tool always creates a vector path when used.

You can create multiple paths within an image, and you can create multiple path segments within a path. These paths appear as either Work Paths or Shape Paths in the Paths Panel.

Shape Paths vs. Work Paths in Photoshop

Shape Paths created with the Pen Tool allow you to create custom shapes on your image which you can use to call out specific portions of an image. Unlike shapes created with the standard Shape Tools (such as the Rectangle Tool or Ellipse Tool), shapes created with the Pen Tool can be manipulated any way you want.

Work Paths, on the other hand, are Photoshop’s way of storing path information without applying any color to the path. Once these Work Paths are saved within the Paths panel, they can be made into selections, modified, and reused as many times as you need.

Where is the Pen Tool in Photoshop?

By default, the Pen Tool is located in the lower half of the Toolbar. If you click and hold on the Pen Tool in the Toolbar, you’ll see six separate Pen Tool options in Photoshop CC 2024 (if you’re using an older version of Photoshop, you may only see five Pen Tool options).

If you’re not working in the default workspace, some of these Pen Tool options may need to be accessed by clicking on the three dots at the bottom of the Toolbar and adding the extra Pen Tool options to the Toolbar. 

You can also access the Pen Tool by typing “P” on your keyboard.

Where is the Paths Panel in Photoshop?

The Pen Tool and the Paths Panel go hand in hand, so you’ll need the Paths Panel to be visible when you begin to use the Pen Tool.

In the Essentials (default) workspace, Paths are accessible by clicking on the Paths tab visible in the Layers Panel. If you don’t see a Paths Panel in your workspace, you can access Paths by clicking on the Windows dropdown menu and selecting Paths.

Types of Pen Tools in Photoshop

In Photoshop CC 2024, there are four different Pen Tools you can use to create a new path:

1. The standard Pen Tool
2. The Curvature Pen Tool
3. The Freeform Pen Tool
4. The Magnetic Pen Tool (only visible by adjusting the settings of the Freeform Pen Tool)

The other Pen Tool options are used to modify an existing path. Those tools are:

1. The Add Anchor Point Tool
2. The Delete Anchor Point Tool
3. The Convert Point Tool

The Standard Pen Tool

We’ll use the standard Pen Tool for the paths we’ll be creating in this exercise. It’s the original Pen Tool and is very similar to the Pen Tool in Adobe Illustrator. You can create just about any kind of path with this tool.

The Freeform Pen Tool

The Freeform Pen Tool allows you to draw with the Pen Tool in the same way you would draw with the brush tool, creating a path as you draw.

The Magnetic Pen Tool

With the Freeform Pen Tool selected, you can check the Magnetic option at the top of the application window and access the Magnetic Pen Tool.

The Magnetic Pen Tool works much like the Magnetic Lasso Tool, allowing you to trace the exterior of a shape within your image. It’s not perfect, however, so we suggest you work with the Standard Pen Tool whenever possible.

The Curvature Pen Tool

The Add Anchor Point Tool

The Add Anchor Point Tool gives you the ability to add more points onto your path once it’s been created. Hover the Add Anchor Point Tool over the part of the path where you want to add a new point and click the mouse to create the point.

The Delete Anchor Point Tool

The Delete Anchor Point Tool removes points from your path after the path has been completed. Hover your cursor over the point you want removed and click the mouse to delete the point from the path.

The Convert Point Tool

The Convert Point Tool is extremely useful. If you have a point forming a sharp corner on your path and you want to convert that corner to a curve, clicking the Convert Point Tool will make that happen. Conversely, the Convert Point Tool will remove a curve from a point and convert the point to a corner.

Paths vs. Shapes in Photoshop

When you access either the standard Pen Tool, the Curvature Pen Tool or the Freeform Pen Tool, you can set your Pen Tool setting to either Path or Shape in the options bar at the top of the application window.

Drawing with the Pen Tool when Path is selected creates a new Work Path that appears in the Paths Panel. Drawing with the Pen Tool when Shape is selected creates a new Shape Path that appears in both the Paths Panel and the Layers Panel.

When you choose Shape, you can also change a few different settings, including stroke color, thickness and fill color of the shape. We’ll go over the specifics of creating a shape with the Pen Tool at the end of this article.

When you choose Path, you’ll see an icon that looks like two small overlapping squares (this icon is also available when Shape is chosen once you’ve already begun drawing your path). If you’re creating an initial path to become a selection, set this option to Combine Shapes.

​​You’ll see a few other icons in the options bar, but for the purposes of this tutorial, you should leave those at their default values.

How to use the Pen Tool in Photoshop

How to use the Pen Tool in Photoshop to create a path

The standard Pen Tool allows you to create straight and curved paths with amazing accuracy, but mastering it takes some practice. Don’t get discouraged if it’s difficult at first. You can always adjust a path after you create it.

To create a path that you can then use as a selection, choose the standard Pen Tool, and then choose Path in the options bar dropdown menu at the top of the application window.

How to use the Pen Tool in Photoshop to create a new path

To start your path, click on your image with your mouse where you want to begin your path. To keep things simple, choose a starting point that is at the edge of a straight line, such as the edge of the top of the sock in the image below.

Click again along the edge of your object with the Pen Tool to draw the first segment of your path. You should now see a straight line appear.

Also, note a Work Path appears in the Paths panel as soon as you place the second point.

Create a curved path segment with the Pen Tool

To create a curve with the standard Pen Tool (such as the curves at the ankle of the sock), click to create the next point and drag with the Pen Tool before you release the mouse button. You’ll see lines, called handles, appear.

These handles are tangential to the curve being formed by the path. Moving the mouse around will adjust the handles, which will then adjust the line’s curvature. Once you’re satisfied with the shape of the curve, release the mouse button.

Note the handles formed from the curved line appear before and after the point. Therefore, the next portion of the path that you draw after creating a curved line will follow the trajectory of the handle from the last point.

When you click the next point, drag the mouse to create new handles and modify the curve that appears with your new point.

Creating a straight path segment after a curved path segment with the Pen Tool

If you want to prevent the next segment of your path from curving along the handle of your last point, you can “corner” the point by clicking on the point with the mouse while typing ALT (OPTION on Mac). The second handle will disappear.

The next point you set will be unaffected by the previous curve.

Closing your path with the Pen Tool

Once your path is complete, close your path by hovering the Pen Tool over the very first point you set down. When you see a small circle appear to the right of the Pen Tool, click on the point.

Your path will now be closed.

How to adjust the path you created using the Pen Tool in Photoshop

How to save your path

Saving your path is extremely important at this stage. Without saving, you could accidentally overwrite your hard work when you create another path.

To save your path, go to your Paths Panel and look for a new Work Path. Double click on Work Path to name your path and save it.

How to modify an existing path with the Pen Tool

Once you’ve created your path, you can modify any areas that need tweaking. It’s helpful to zoom in on different areas of your path to ensure the path follows the object exactly.

If you don’t see your path in your image, click on the path’s name in the Paths Panel.

How to add additional paths to an existing path using the Pen Tool

In our yellow sock example, there’s a path around the outside of the sock. But what if we wanted to cut out a shape inside of the sock for demonstrative or artistic purposes? We can do so by adding an additional path to our existing path. This method also works well for removing interior shapes from certain product images, such as the inside of a mug handle or the loop in an earring.

With the path selected in the Paths panel, select the Pen Tool from the Toolbar. In the options bar at the top of the screen, click on the icon that looks like two little overlapping squares, and choose Exclude Overlapping Shapes.

While the current path is still visible, begin to draw the area that you want to exclude from your selection with the Pen Tool. Close the path when you’re done.

How to modify existing points and curves along a path

To modify an existing point or handle on a path, find the Path Selection tools in the Toolbar. These tools each look like an arrow, and by default are located beneath the Type Tool in the Toolbar.

When you click on the visible Path Selection Tool, you’ll see options. Choose the Direct Selection Tool, which looks like a white arrow.

How to add new points to a path

The Add Anchor Point Tool, accessible by clicking and holding on the Pen Tool in the Toolbar, will add extra points along the path.

With the Add Anchor Point Tool selected, hover over the path and click to create a new point.

Once you’ve set down the new point, you can use the Direct Selection Tool to modify the point’s location or its handles.

How to remove points from a path

The Delete Anchor Point Tool, also accessible by clicking and holding on the Pen Tool in the Toolbar, removes existing points from the path.

How to use the Convert Point tool

The Convert Point Tool, accessed by clicking and holding on the Pen Tool, allows you to manipulate handles of existing points the same way you would manipulate handles using the Direct Selection Tool.

Unlike the Direct Selection Tool, however, the Convert Point Tool does not allow you to move existing anchor points, because when you click on a point with the Convert Point Tool, the path segments adjacent to the point convert from straight lines to curved lines, and vice versa.

If you click on a point that has handles with the Convert Point Tool, the handles will disappear and the anchor point will become a corner. If the surrounding anchor points have handles, those handles will still continue to affect the curve of adjacent path segments.

How to use a path to remove an object from its background

Now that your path is created, you can use it over and over again to create selections and use that selection to remove an object from its background.

How to create a selection from a path

In your Paths panel, select your path. Then, click on the icon at the bottom of the panel that looks like a circle with a dashed outline. A selection in the shape of your path will appear in your image.

You can also create a selection with the Pen Tool. With the path selected, and with the Pen Tool selected, click on the Selection button next to Make: in the options bar.

A dialog box allowing you to make adjustments to the selection will appear. If you’re creating the selection in order to isolate an object from its background, you should keep the Feather Radius at 0 and keep Anti-Aliased checked. If this is the first selection you’re creating, the radio button next to New Selection will be selected.

Once you’ve created your selection, you can use the selection to modify the color of the object or to remove the object from its background.

How to cut out an object from the background

Once you’ve created your selection from your path, you can remove the portion of the image from its background by either copying it into another layer, or by creating a layer mask. In order to do any of the following methods, you must be in the layer which contains the image you wish to isolate.

Removing a background by copying a selection

You can copy your selection by typing CTRL + C (COMMAND + C on a Mac) and then pasting the selection by typing CTRL + V (COMMAND + V on a Mac). Your selection will automatically appear in a new layer. You can make your original layer invisible in the layers panel to see the isolated object.

Note that the small section in the toe of the sock also was removed. This would be a useful effect if we wanted to show how the toes look within the sock. However, if we want to remove that cut-out, simply go back into your original path and your original layer, click on the interior path within the sock with the Direct Selection Tool, and type BACKSPACE (DELETE on a Mac).

Removing a background by creating a layer mask

To create a layer mask, create a selection from your path using the method described above. Then, locate the Layer Mask icon. This icon is available in both the Paths panel and the Layers panel at the bottom of the panel and looks like a white rectangle with a circle inside.

Click on the icon to automatically create a Layer Mask.

How to create a shape using the Pen Tool

You can designate a path to be a Shape Path before you create the path by selecting Shape from the menu in the options bar for the Pen Tool.

We mentioned this earlier: Next to the Shape option, you can change the shape’s color by double-clicking on the color rectangle next to Fill. A color menu will appear—the top bar of the color menu allows you to change the color by choosing no fill (transparent), a solid color, a gradient color, a pattern or a custom color. The bottom portion of the menu shows available swatches.

You can also change the shape’s outline color by double clicking on the color rectangle next to Stroke. And to adjust the width of the stroke, change the width in the dropdown menu just to the right of the Stroke’s color.

When you create a shape using the Pen Tool, you automatically create a new Layer containing that shape, as well as a Shape Path in your Paths panel.

How to transform or scale a Shape Path

With the Shape Path selected in your Paths panel, click on the Edit dropdown menu at the top of the screen and choose Transform Path to access any of the transform functions. You can also choose Free Transform Path from the Edit dropdown menu, or type CTRL + T (COMMAND + T on a Mac) to scale or rotate your path.

That’s a lot of information to remember. Feeling overwhelmed? You can always outsource your background removal and other image-editing needs. Our prices start at just 39¢/image.

Wish you could just hand this over to a pro? Surprise, you can

LEARN MORE

FAQs about the Pen Tool

What does the Pen Tool do in Photoshop?

The Pen Tool creates paths that can then be converted to selections or layer masks. The Pen Tool can also create custom shapes within Photoshop.

What are the different types of Pen Tool?

• The standard Pen Tool
• The Curvature Pen Tool
• The Freeform Pen Tool
• The Magnetic Pen Tool
• The Add Anchor Point Tool
• The Delete Anchor Point Tool
• The Convert Point Tool

What are some common uses for the Pen Tool?

Common uses for the Pen Tool including isolating products from their background, selecting a portion of a product to change its color, creating multiple paths within an image, creating multiple path segments within a path, and creating custom shapes on your image.

Can you use a stylus with Photoshop and the Pen Tool

Yes, you can use a stylus with Photoshop and the Pen Tool. With a stylus, you tap to form points and tap and drag to create points with handle curves, instead of clicking and dragging as you would with a mouse.

Can you use other Photoshop Pen Tools?

Yes, you can use any of the six Photoshop Pen Tools listed in this post.

The post How to Use the Photoshop Pen Tool to Edit Ecommerce Images appeared first on Path Edits.

It can be incredibly frustrating to move the background from hair if you don’t understand some of Photoshop’s unique eraser tools. Trying to remove the hair from a background can be time consuming and end up ruining your original image if done incorrectly.

In this Photoshop tutorial, you’ll walk away knowing how to remove a background from hair with the Background Eraser Tool. Once you’ve mastered how to remove the background from hair in Photoshop 2024, you’ll be able to tackle any photo or image.

We’ll be using an image that shows you how to remove the background from curly hair in Photoshop, but these directions will work with any type of hair.

Step 1: Set up your layers

Open the image you want to remove the background from in Photoshop 2024. Get to your Layers panel by selecting Window > Layers or by clicking on the Layers panel icon to the right of the screen.

Make sure the locked Background layer is selected (it should be selected by default). Open the Layers panel menu by clicking on the three little lines in the upper left-hand corner of the panel. From the menu that drops down, choose Duplicate Layer.

Pro tip: Create a duplicate layer so you can preserve the original image. This gives you a backup of the original in case you make a mistake or need to start over.

In the pop-up box, click OK to create the Background copy layer.

Step 2: Create a high contrast layer

Click on the plus sign at the bottom of the Layers panel to create a new layer.

In your Toolbar, doubleclick on the Foreground color to bring up the Colors dialog box. Using the color sliders, choose a color that’s in high contrast to the background color of your original image. Since our image has a gray-blue background, we’ll choose a bright pink.

You want to use a bright, high contrast color to work with as you remove hair from the background in Photoshop so you can easily see how much of the background is actually being removed as you work.

Once you’ve chosen your color, select your new layer and choose Edit > Fill from the dropdown menu at the top of the application window, or click SHIFT+F5 (FN+SHIFT+F5 on a Mac). In the dialog box that appears, choose Foreground color at 100%.

Once you’ve filled your new layer with the Foreground color, move that layer between your Background copy and Background layers in the Layers panel. You can do this by grabbing the new layer and dragging it until it pops into place between the Background layers.

Step 3: Remove the background around the hair and model

Select the Background Eraser Tool from the Toolbar. It may be hidden behind the Eraser Tool.

Next, select the Background Color from the Toolbar and select the image’s background color using the Color Picker in the pop-up dialog box.

Click OK.

With the Background Eraser Tool selected, you’ll need to make sure certain settings are set up correctly in the Options Bar at the top of the application window. First, in the dropdown menu next to Limits, you’ll see options for Contiguous, Discontiguous, or Find Edges. Since we’re working with hair, with a wispy edge, we want to select Contiguous.

As you work to remove the background around other parts of your image with more abrupt edges (such as the arms and clothing), you may discover that Find Edges works better.

Just to the left of Limits, you’ll see three icons with an eyedropper. Make sure the icon on the far right is selected.

You’ll also see other options in this Options Bar: the Brush Preset and Tolerance. Begin with a brush hardness of 15% or softer, and a brush size that makes sense for the image you’re working with, and start with the Tolerance set to 50%.

Finally, check the box next to Protect Foreground Color.

Go back into your Layers panel and make sure your top layer, Background copy, is selected.

Now, with your Background Eraser Tool, begin erasing the area around the hair.

As you work, you may need to adjust the Tolerance level up or down depending on the colors in the foreground image.

For instance, there are a lot of blue tones in the model’s clothing which could be accidentally erased using a high Tolerance level; therefore, we’ll reduce the Tolerance down to about 20% while working around these areas. You may also find it’s helpful to reduce the brush size when working in these areas as well so you have more precision over the pixels being removed.

You may also have to adjust the background color if your image has a lot of variation in its background.

Continue erasing until you have an “outline” around your entire subject.

Once you’ve erased the area immediately around your subject, you can increase your brush size and your Tolerance and remove the rest of the background.

Step 4: Replace the background

Go back into your Layers panel and hide the bright color layer and the original Background layer by clicking on the Eye icon next to each layer.

You now have a transparent background, and you can insert any background you wish into the image. Or you can copy this layer and paste it into another image.

Now that you’ve learned how to remove the background from hair in Photoshop, you can substitute your original backgrounds with your individual brand colors or with more complex backgrounds, adding interest and continuity to your photography.

Master more Photoshop skills

You can improve your photo-editing skills with our library of Photoshop tutorials that will help you create perfectly edited images to promote your products. Browse some of our most popular Photoshop tutorials:

• How to Change the Background Color of a Picture
• How to Make Someone Smile in Photoshop: A Tutorial for Brands
• Blur the Background in Photoshop: A Tutorial for Your Product Photos 

FAQs about removing background from hair in Photoshop

How do I remove background from hair in Photoshop?

You remove the background from hair in Photoshop using the steps in this post:

1. Set up your layers
2. Create a high contrast layer
3. Remove the background around the hair and model using the Background Eraser Tool
4. Replace the background

How can I change my hair background?

You can change your hair background by removing the background of your image using the Background Eraser Tool or by choosing the Magic Wand and using the Remove Background option. Then, choose a new background color or image to replace your original background with, or leave it as a transparent background.

How do I remove green screen from hair in Photoshop?

If you need to know how to fix hair that is in front of a green screen, set up your layers and use the Background Eraser Tool, this time with a red filled layer under your green screen layer. 

Because green screens are very bright, a greenish hue often ends up in the hair. To counteract this, you can increase the tolerance of the Background Eraser Tool as you erase around just the edges of the hair. If that does not work to your satisfaction, after erasing as much as you can, create a rough selection around the areas in the photo where you see the color green.

Then, choose Select > Color Range from the dropdown menu to capture just the greenish pixels within your rough selection. You then can use whatever color adjustment tool you prefer (such as Hue/Saturation or Color Balance) to fine-tune the colors in that selection.

The post How to Remove the Background from Hair in Photoshop: A Tutorial [Updated 2024] appeared first on Path Edits.

So how do you do that? Transparent background images. When you put products on a transparent background, you can use them across the web in a variety of contexts and channels. This Photoshop tutorial will show you how to create a transparent background in Photoshop for your product shots.

Scroll down below the video for written tutorial.

How to make a transparent background in Photoshop

1. Remove the background
2. Refine the mask
3. Save your image in the appropriate format
4. Save your file

Step 1: Remove the background

Open your product image in Photoshop. For this example, we’ll use an image of a sock on a white background.

Go to your Layers panel and select the layer that contains your product image. If you’re working in a JPG, this will be your only layer, and it will be called Background.

Photoshop 2024 now has a “Remove Background” feature which allows you to make a transparent background with the click of a button.

To access this tool (if you don’t already see it on your screen), go to Window > Contextual Task Bar from the menu at the top of the application window. Make sure the Contextual Task Bar is checked by clicking on it in the menu.

The Task Bar will appear on or near your image.

Once you see it, click Remove background.

Photoshop will attempt to discern what is your object and what is your background, and show your product images without their background. However, your background isn’t gone; if you look in your Layers panel you’ll see the background is now masked.

Step 2: Refine the mask

Photoshop’s new Remove background tool does a pretty good job in most cases. However, it’s not always perfect. If part of the product is missing, or part of the background is showing, you can fix it by modifying the image mask Photoshop just created.

Select the mask within your Layers panel. The mask is the black and white icon just to the right of the image of your layer. When you select just the mask, a small black outline appears around the mask icon.

Once in your mask, use the Brush tool to “paint” parts of your image back if necessary. You can also use the Eraser tool to erase more portions of the background. You’ll also see options to Subtract from Mask and Add to Mask in the Contextual Task Bar. These options work the same way as the Brush and Eraser tools.

Once you’re happy with how your product looks against the transparent background in Photoshop, you’re ready to save the image in a web-ready format.

You haven’t actually removed your background; you merely masked it from view. Therefore, in the future, you can return to this image and add the background back in if necessary.

Step 3: Save your image in the appropriate format

Creating a transparent background in Photoshop is just the first step—you need to save your product image in the correct format so it displays with a transparent background on your ecommerce website.

The best format to save your image in is as a PNG-24. This format allows for multiple layers of transparency, meaning your image will never have a pixelated “halo” when placed on a different color background. Older transparent file formats such as PNG-8 and GIF can create this undesirable halo effect, so whenever possible, use a PNG-24.

To save your file as a PNG-24 in Photoshop 2024, type SHIFT+ALT+CTRL+W (SHIFT+OPTION+COMMAND+W on a Mac) or choose File > Export > Export As… from the dropdown menu at the top of the application window.

Note: If you’re using an older version of Photoshop, and you don’t see the Export As… option, you can choose Save for Web and select PNG-24 from the Preset dropdown menu on the right of the dialog box.

In the dialog box that appears, under File Settings on the right side of the box, set the Format to PNG, and make sure the Transparency box is checked. Do not check Smaller File (8-bit)—this converts the file to a PNG-8.

On the left-hand side of the image you’ll see the file size predicted for your PNG file. This is important to keep an eye on because larger file sizes will make your web page load more slowly. It’s a good idea to keep web images at around 200 KB or smaller.

On the right-hand side of your dialog box, under Image Size, you have the option to adjust the dimensions of your image. Smaller dimensions mean a smaller file size. However, you don’t want to make your image’s dimensions smaller than you want them to appear on your website, otherwise you’ll have blurry or pixelated images.

Also, with many of your customers viewing your product on a retina display, it’s good practice to save your product image at a size 50%–100% larger than the size you expect it to display. This will help it look crisp on all devices. In other words, if you know your product will show at 400px wide at its maximum, you’ll want to make it at least 600px wide here.

So, you’ll need to work with a bit of balance to maximize your image size while minimizing your file size. To minimize load time, you can choose only to have your featured product images saved larger for retina displays, and allow the bulk of your product images to be saved at actual size.

Step 4: Save your file

Once you’ve set your Image Size to proper dimensions, click Export.

In the Save dialog box, choose the folder where you keep your web-ready product images. It’s a good idea to keep your optimized image files separate from your original image files to avoid confusion when loading your images onto your site. Name the image file and make sure its extension is set to .png.

Click Save.

You can now place your transparent product image against different backgrounds on your site and have it display perfectly.

How to create a transparent background for a logo in Photoshop

1. Open your logo file in Photoshop
2. Make your background transparent
3. Save your image as a PNG file

The logo you use on your website should always have a transparent background. That way, you have the flexibility to display it anywhere on your site, no matter what color the background of the page is.

However, if your logo is saved as a JPG, you’ll need to remove the background in Photoshop and resave your file as a PNG-24, just like for the product image in the example above. If you’re lucky enough to have a logo as a vector file (with extensions .AI, .EPS, or .PDF), you’ll need to open the file in Photoshop or Illustrator and convert it to a PNG-24 so it will be in a web-ready format.

Step 1: Open your logo file in Photoshop

In Photoshop, go to File > Open and navigate until you see your logo file. Click Open.

If you’re opening a .JPG (or other raster format) file, the file will simply open in Photoshop.

If you’re opening a vector format file, however, you’ll need to make sure your settings are correct in the dialog box that appears:

• Crop To: set to Bounding Box
• Constrain Proportions: checked
• Mode: set to RGB Color (this might appear as sRGB with a specific profile)

Click OK.

Step 2: Make your background transparent

If you’re working with a vector file, you can skip this step. If you’re working with a JPG, however, you will need to select and delete the background from the image.

First of all, double-click the Background layer in the Layers panel and click OK to convert the Background to Layer 0.

Next, choose Select > Color Range… from the dropdown menu at the top of the application window.

A dialog box will appear. Make sure Sampled Colors is selected from the Select: dropdown menu at the top of the box. Use the left-most eyedropper in the dialog box to select the white background of your image.

Click OK.

You will now see the entire background of your image selected.

Now, in order to make the background transparent in Photoshop, simply hit the BACKSPACE button (DELETE on a Mac).

Step 3: Save your image as a PNG file in Photoshop

Follow Steps 4 & 5 from where we made a product image transparent above to export your file as a PNG-24. These steps are the same no matter what file format you started with, whether your original file was a JPG, AI, PDF, or other file format.

When you export your image, you’ll notice that your file size is significantly lower than that of your transparent background product image. This is because logos tend to have only one or two colors, unlike the thousands of colors that exist in a product image. So you don’t need to reduce your image proportions when you save your logo file. Keep your dimensions at the same size as the original file you have been working with, and click Save.

You now have the knowledge to create web-ready images with transparent backgrounds that will display beautifully without slowing down your site.

Photoshop transparent background FAQs

How do I make the background transparent in Photoshop white?

If you have a transparent background in Photoshop but you want a white background instead, create a new Layer in your Layers panel. Then, fill the new Layer with white by typing SHIFT+F5 (FN+SHIFT+F5 on a Mac). In your Layers panel, move your new, white layer underneath your original image layer.

How do I save a PNG with a transparent background in Photoshop?

To save a PNG with a transparent background in Photoshop, go to File > Export > Export As… or type SHIFT+ALT+CTRL+W (SHIFT+OPTION+COMMAND+W on a Mac). In the dialog box that appears, set the Format to PNG and make sure the radio button next to Transparency is checked. Click Export.

How do I remove the white background from a picture?

There are two very easy ways to remove a white background from a picture in Photoshop 2024:

1. Select “Remove Background” from the Contextual Task Bar.
2. Choose Select > Color Range… and select the white background using the Color Range eyedropper tool. Once the white background is selected, simply delete it.

The post How to Create a Transparent Background for Product Photos in Photoshop appeared first on Path Edits.

We let everyone get in on the fun—our in-house folks, temp workers, and even our subcontracting team—to see who can make the best, the fastest, and the most accurate photo edits. And not only that, but how the rest of our organization can learn from them. It’s just another way we’ve found to continuously innovate and push ourselves to always do better.

The contest

The Talent Hunt was created to identify and acknowledge exemplary photo editing techniques and the editors themselves while also fostering innovation and identifying potential future leaders.

We had three categories for winners:

1. Speedstar Editor: awarded to the person who can edit images in the least amount of time while maintaining quality standards
2. Quality Wizard: the editor who can edit images with extraordinary quality by using different techniques outside of their traditional quality within the defined timeframe
3. Technique Mastermind: for the most creative editing techniques that still deliver quality and speed

We also had a judging panel, made of:

Creative review

• Md. Ataur Rahman, Senior Manager, Production
• Md Asaduzzaman, Senior Manager, IT
• MD. Shahadat Hossain, Senior Manager, Customer Support
• Rayhanul Islam, Executive, R&D

Overall organization and coordination

• Rifat Rahmatullah, Manager, Human Resources
• Shams Al Mujahid, Senior Executive, HR and Admin

Final decision

• Md. Atiqur Rahman Molla, CEO
• Rokaiya Yesmin, COO

The winners

Eleven participants competed in the Talent Hunt, with four emerging as the top contestants. These editors displayed exceptional proficiency in multi-clipping path, natural shadow, white balance, and wrinkle retouching edits. Their techniques not only streamlined editing processes but also elevated the overall quality.

We had a celebration at our corporate headquarters in Uttara, Dhaka on March 29, 2024 to honor these top editors.

Get to know the winners—some of the very people who edit your photos:

Md Ishak Rahman, 1st place

• Category: Speedstar Editor and Technique Mastermind
• Technique: White balance and wrinkle retouch
• Prize: mobile phone

Md. Kamrul Hasan, 2nd place

• Category: Technique mastermind
• Technique: Natural shadow
• Prize: tablet

Jahid Hasan, 3rd place

• Category: Speedstar Editor
• Technique: Multi-clipping path
• Prize: smart watch

Md. Momin Prodhan, 4th place

• Category: Speedstar Editor
• Technique: Multi-clipping path
• Prize: crest

What’s next?

Sure, the Talent Hunt was a lot of fun! But there’s also a business goal behind it. Our top editors have innovated to bring new editing techniques and workflows to their work.

By having this Talent Hunt, we can bring our larger team of editors together, identify top talent, and learn from them. The Talent Hunt winners can share their expertise, learnings, and techniques with the rest of the Path editing team to help continue to propel the quality of our services higher and higher.

Thanks for being a part of the team

We wouldn’t be able to edit images, innovate, and give back to our people without our customers. To us, Path is more than just a photo editing studio. It’s a family. And we’re happy to have you a part of that big, extended Path family. 

The post Putting People First: Congratulations to the Path Talent Hunt Winners! appeared first on Path Edits.